LOWANDEART
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Post Modern

I have a bitter-sweet relationship with Post Modern work. Particularly at this point there became a chasm between the art world and the public. With artists referring to those who did not understand the significance of the work 'non-artists' and the public becoming alienated by work that visually without explanation can leave one bewildered. I often suggested in Art History that a 'artist's brochure' should be made available to gallery goers as a road map. Can save much alienation and pretentiousness. I do ascribe to the notion that Modern Art was deliberately showcased and 'canonized' by the owning class during the late 1940's post war culture, but discussed in the 1930's that Art that teaches, informs the public was a problem. so the owning class who largely held the purse for the art world created a whole new genre that was vague in its intentions, emphasized color and form over content, and moved an individual without informing them of one damn useful thing, other than porcelain Michael Jacksons, pornography with your wife and giant flower rabbits are fine art. In fact, my Art History professor did say of post modern, it is about the message and package over skill and aesthetics. That is, I could make my bedroom into a live art installation if presented in the correct way. Wake me up when this is over. How about the sculptor who did the invisible statue? And it sold! And then another 'artist' says he was ripped off, has the original invisible statue. Its what Spengler said, "When a culture has passed through its golden era and has exhausted its forms, it will repeat the past as parodies of itself." -The Decline of Western Civilization 
Picture
“Real Men Paint with Cats” 5’ X 4’ Oil on Birch Panel. 2016
My take on post-modern art. Largely gimmick driven, the work explores the fear and tension, danger and risk a real man must face when using a live house-cat as a paint brush.*

​*No cats were harmed in this production. Artist received 27 stitches and a sense of rugged male identity. ​
Picture
"Ma" 14"x 23" Oil on Found Object. 1991 
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"Eileen Deconstructed" 45.25"x 35.25" Mixed Media. 1994 
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"The Hitchhiker" 48"x 48" Oil on Canvas. 1986 
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"Angry Birds" 48"x 48" Oil on Birch Panel. 2016
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"The Conformity Machine" 12" High, Welded Metal.  2015
   Conformity is a process of voluntary and non-voluntary homeostasis throughout culture. Motive is efficiency, which is processed in a mechanical and lawful way. Prospective ‘free-radicals’ pro-actively enter the mouth of the machine and are subjected to psychological pressure, coercion and force. For those predisposed in a favorable way to this, a carrot is enough. For those who find the machine a tight fit, a whip os best employed. This is of course of course, in the interest of a civil society, the public interest and the betterment of humanity and progress. It is not recommended one questions this; (See Title 4, Ledger 14 of “Commons: Use and Practices of Conformity Machine LTD.”) Every civilian has a right to conform! Is free to conform and must in a patriotic ‘flag on lapel’ manner, conform to conformities requirements of its society. From brain trust to cannon fodder, there is a place for ALL to conform. Order out of chaos is the measure of a systems integrity and a collectives worth to humanity and the planet. Please observe all corporate rules, eat only delicious and homogeneous corporate foodstuffs, (copyright) watch only lawful and balanced corporate media, purchase only brand name corporate commodities you have come to trust and love, vote regularly on our corporate machines for the correct candidate, wear only attractive corporate clothing with corporate logos held high with might and pride. Attend corporate church. The more you give, the more our Christ Henry Ford smiles upon thee. The conformity machine produces ONLY healthy and contributing citizenry. Consume. Be fruitful, multiply. Consume. Be fruitful and multiply. Conform.
All images and text by Michael E. Lowande  Copyright 2021 
Contact
  • Home
  • Visual Cartography
  • Thematic Formalism
  • Regional Biographies (Formalism I-II)
  • Ceramics & Sculpture
  • Portraits
  • Renderings
  • Illustrations
  • Drawings from Life
  • Surrealism
  • Post-Modern
  • Lost Work
  • Statement
  • Contact